Shirley

Lizard Lick Towing 的罗尼 (Ronnie) 来到英国，尝试涉足古董汽车业务。

白雪覆盖的森林腹地，温柔的松鼠妈妈（海伦娜·邦汉·卡特 Helena Bonham Carter 配音）为孩子们讲述了关于咕噜牛的传说：可爱的咕噜牛宝宝（Shirley Henderson 配音）试图进入幽暗森林，却被爸爸（罗彼·考特拉尼 Robbie Coltrane 配音）粗暴地抓回。爸爸警告宝宝，幽暗森林内藏着可怕的大恶鼠，一旦遇上恶鼠势必遭到伤害。夜幕降临，雪花纷飞，咕噜牛爸爸沉沉睡去。温暖的洞穴中，小宝宝却无心睡眠。他的好奇心打败了对大恶鼠的恐惧，最终他冒着大雪闯入幽暗森林。神秘的脚印、邪恶的毒蛇、夜间出没的猫头鹰，为止的森林带给小宝宝前所未有的体验…… 　　本片根据Julia Donaldson与插画家Axel Scheffler联合创作的同名绘本改编。

一位年轻的设计师和一位已婚的高管可能即将开始一段婚外情。一系列的午餐时间发挥了这种关系。

Pangnirtung，努纳武特：一个沉睡的小村庄坐落在北冰洋巴芬岛雄伟的山脉中，醒来后是一个典型的夏日。没有学校，没有酷男孩（嗯……除了一个），还有 24 小时的阳光。但对于麦卡和她那些衣衫褴褛的朋友来说，当他们发现外星人入侵威胁庞时，通常的夏天突然不在了。但这些青少年的一生都被低估了，他们使用临时武器和他们的恐怖电影知识，向外星人展示了你不要和庞的女孩做爱。

青年艾迪（甄子丹饰）痴迷霹雳舞，兴之所至，生活中的一举一动也要伴着舞蹈的节奏。家姐阿英一把年纪仍然未嫁，表妹西巴拉（罗美薇饰）帮助阿英打点快餐店，并暗恋着艾迪。这天艾迪路遇落魄武生大眼哥（袁和平饰），见其身手出色饥肠辘辘，艾迪邀请他去自家店内工作。霹雳舞高手肯尼回港，对艾迪的同学安娜大献殷勤。年轻气盛的艾迪与对方展开连场比斗，明招暗招，网球街舞，花样百出。同时大眼哥与阿英这对儿大龄单身配的关系也在波澜不惊中发展。艾迪虽然与肯尼斗舞中获胜，但西巴拉却大为吃味，艾迪用遥控车示爱也挽回不了对方，这时，误认艾迪为武林高手的武痴（狄威饰）打上门来，要与艾迪一决高下……

Vlad has just moved and joined one of the most famous magical schools in the world, where he meets fairies, witches, trolls and dwarfs. Him and his father are the first vampires in town, but he soon meets other special kids.

在她们的60年代电影"男孩疯狂"重新发布并获得成功之后，3位女演员(Piper Grayson, Kate Westburn 和 Addie Holden)重新聚首，经过Kate Westburn的儿子和她们经理的帮助，她们准备做一场重聚表演。可是麻烦在于，这三位女演员以及她们的经理都互相反感。

人类走出洞穴并开始发明：从耕种和思考到中国的长城（但谁忘了建造屋顶？）。

青年艾迪（甄子丹饰）痴迷霹雳舞，兴之所至，生活中的一举一动也要伴着舞蹈的节奏。家姐阿英一把年纪仍然未嫁，表妹西巴拉（罗美薇饰）帮助阿英打点快餐店，并暗恋着艾迪。这天艾迪路遇落魄武生大眼哥（袁和平饰），见其身手出色饥肠辘辘，艾迪邀请他去自家店内工作。霹雳舞高手肯尼回港，对艾迪的同学安娜大献殷勤。年轻气盛的艾迪与对方展开连场比斗，明招暗招，网球街舞，花样百出。同时大眼哥与阿英这对儿大龄单身配的关系也在波澜不惊中发展。艾迪虽然与肯尼斗舞中获胜，但西巴拉却大为吃味，艾迪用遥控车示爱也挽回不了对方，这时，误认艾迪为武林高手的武痴（狄威饰）打上门来，要与艾迪一决高下……

《一场很（没）有必要的春晚》是一部关于春晚和海外华人思乡、过年情结的电影！影片记录了一群海外华人为了心中的信念而精心筹备了一场春晚，然而在工作过程中却困难重重，险象环生，发生了一系列令人啼笑皆非的故事。

Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.　　The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!

Krishna来自一个传统的大家庭，妈妈在家中十分权威。他在工作的地方爱上了自己的上司Vrinda。Vrinda因为疾病无法生育，于是在答应求婚前让Krishna将这个情况告诉他的母亲等家人以避免日后的烦恼。可是Krishna因为妈妈当时特别想要孙女只好撒谎自己没有生育能力，设计了一系列谎言后终于和Vrinda结婚。然而谎言的终究是有代价的

Three men and a woman crash-land in a deep crater in Antarctica, where they find a prehistoric world.

一位身无分文的母亲带着她的婴儿，踏上了漫长的旅程，去马尼拉寻找她的丈夫。但这次旅行不会是免费的，她必须出卖她的身体才能到达目的地。

Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance.　　The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity).　　Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH).　　As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does.　　The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome.　　For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him.　　The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!)　　Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying.　　This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from.　　As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.

一只会说话的紫色恐龙带领一群孩子寻找一个丢失的大蛋。

本片描述墨西哥的马雅族移民与美洲印第安土著开始时互相冲突，后来和平共存，最后共同对抗外侮的传奇故事。

1928年，35岁的梅瑞迪丝仍是单身，她的叔叔到一个偏远的灯塔担当灯塔看守人，她也一起前往。

巴黎。在一家夜总会，两个女孩安妮和帕斯卡尔跟随两个男孩。他们被下药并在船舱中醒来。

An erotic thriller about a young artist whose obsession with a taboo fetish leads to life altering consequences.

由于工作和家庭问题一团糟，罗伊·所罗门（迪兰·麦克德莫特 Dylan McDermott饰）和妻子丹妮丝（佩内洛普·安·米勒 Penelope Ann Miller饰）带着正处在青春躁动期的女儿杰西（克里斯汀·斯图尔特 Kristen Stewart饰）和小儿子本（伊万·特纳 Evan Turner 饰），从熙熙攘攘的大都会芝加哥来到了荒凉的北达科他州。他们在当地购买了一座名为“向日葵”的废弃农场，打算在这里展开新的人生。　　然而，美好的憧憬往往为残酷的现实所打破。在农场修缮过程中，诡异的事件不断出现，杰西和弟弟仿佛也能看见一些成人看不到的东西。阴森的气氛压得这家人几乎透不过气来，但真正恐怖的事情还远远不止于此……

影片讲述了前CIA成员因为手握重要情报，遭到了各方势力的追杀的故事。

杂志的出版人莱德在度假中意外死亡。他的侄子托尼接管继承了杂志社。目前，该杂志正计划扩大，他们需要一些资金。托尼试图通过他的朋友，安排贷款。他随后被酒店宾馆的侦探怀疑，他的叔叔去世有关。一个女人，只穿着一条毛巾，来到了他的房间，逃跑前的侦探能不能跟她赶上。他们怀疑是上校与她害死了叔叔，因为当他死的时候她在微笑。托尼和他的两个叔叔的心腹都担心，不是只有在银行就听说这个，他们不会得到贷款，该杂志健康的形象也会受到...

当伊丽莎（悉尼潘妮饰）失去了她的岳父后，她不得不抚养两个孩子，继续耕种未收割的橙子作物，并维持沉重的抵押贷款。她开始失去信心，直到她的阿姨巴蒂（雪莉琼斯）说服她坚持下去。突然，一个名叫加布（杰森·格德里克饰）的神秘陌生人出现并及时帮助伊丽莎收割，以阻止银行接管。伊丽莎对加布了解得越多，她就越意识到她爱他。

一位著名的职业足球明星与家人失去了联系。他的母亲帮助他找回了家庭根源和初恋。

三个年轻人应聘到一个地下实验室，照顾一群高智商儿童的学习和生活，随着项目进展，孩子们出现各种异样举动，基地的设备和智能向导频发故障，恐怖的游戏开始了。

设置在避风港医院，某男科病房造成的破坏比整个医院加起来还要大。这位令人敬畏的护士长的首次亮相，每次经过时都会让病人不寒而栗，只有 Reckitt 站在她面前。有一个总是令人讨厌的上校，一个笨手笨脚的护士，泰德约克和护士丹顿之间的恋情，还有想要立即去除拇囊炎的贝尔，所以在喝酒后，男人们决定自己去除拇囊炎！

爱从来都不是一条平坦的路。没有人比卡莉和丽娜更清楚这一点了，在卡莉决定从医学院辍学，丽娜失去了律师的工作后，她们的关系变得更糟。这迫使他们搬到一个汽车旅馆，一个他们都不满意的情况。更糟糕的是，丽娜和抑郁症的斗争又回来了，卡莉决定用她剩下的钱买一台相机，这样她就可以把摄像作为一种职业。尽管他们的关系开始出现裂痕，但卡莉和丽娜发誓要修复已经破裂的关系，无论情况如何，无论机会有多大。但他们都像自己说的那样坚定吗不幸的是，时间并不站在他们这一边。当肆虐世界的流行病出现在他们的城市，并开始把人们变成疯狂的食肉机器，卡莉和丽娜决定继续用他们的相机记录这一事件。这样一来，他们就被迫像从未有过的那样团结在一起.