主演的影片
已完结
已完结 共8集
0.1分
6.6分
Brewer
Connett
Matthew
Quay
Scott
Terry
Wilcox
塞伦·希德
查宁·塔图姆
琳达·伊蒙
瑞恩·菲利普
约瑟夫·索默
约瑟夫·高登-莱维特
维克多·罗塞克
罗伯·布朗
艾比·考尼什
蒂莫西·奥利芬特
阿里克斯·弗罗斯特
麦米·古默
备受期待的伊战影片《止损》由三位人气男星莱恩·菲利普、查宁·塔图姆、约瑟夫·高登·莱维特主演。 片名“stop-loss”(止损)原本是金融外汇领域常见的词语,大致指投资失误时设法把损失限定在较小范围内的一种行为。越战之后这个词被美国政府加以利用,“stop-loss procedure”(止损程序)是指军方在其认定的紧急情况下,强迫已经履行完毕服役期间的任务或者有条件退休的士兵延长服役时间的一种行为。根据一项估计,这一备受争议的政策使得大概有7000名原定可以回国的美军士兵被迫滞留在伊拉克。 片中由莱恩·菲利普饰演的布兰登·金中士带着荣誉回到了家乡小城并打算重建自己的生活,但是军方在止损程序下强行要求他立即回到伊拉克继续服役,不得已之下布兰登开始了亡命天涯的旅程,逃避一个他原本不惜生命去保护的国家的所谓“正义”。
7.3分
卡特最近运气相当不好,在最近的一年里他不仅单身、失业,而且还变得无家可归。为了把自己破碎的生活拉回正轨,他决定去追回自己的前女友凯莉,距离他们分手,现在已经过去11个月了,但是在卡特心中,追回前女友是改变他目前生活的关键。尽管凯莉已经换了手机号,断了之前的所有联系,可是卡特依旧决定开启一次伦敦的冒险之旅,穿越整个伦敦去寻找凯莉。在途中他遇到了凯莉的哥哥亚伦,亚伦是一个美国的二流演员,在他的帮助下卡特得到了凯莉的电话号码,但是作为回报,卡特需要帮助他在伦敦附近进行一个徒劳的寻找,沿途他还遇到一些奇怪的帮手!本片是一部非常优秀的影片,里面有丰富的笑料,无限的魅力还有细微的洞察力。影片主人公卡特所遇到的这中生存斗争,是很可能发生在我们普通人身上的,而这一点也使得影片更加能够引起共鸣。
0.1分
HD
9.8分
7.8分
1.5分
7.3分
6.7分
3.2分
当琳达试图摆脱她的虐待关系时,她发现了她从未想过的意想不到的资源……职业插画家琳达雷恩斯自从分手后一直情绪失控。她的前男友迈克尔,一位受人尊敬的心理治疗师和作家,刚刚被洗清谋杀前妻的指控,让琳达不确定该相信什么。随着她的康复,她开始听到声音并体验到异象,这只会加剧她的焦虑和困惑。她的老板保罗敦促她逃离这座城市,在她康复期间留在他僻静的度假屋里。到达那里后,琳达与现实的斗争愈演愈烈,强烈的幻觉迫使她质疑所见所闻的一切。然而,有一个声音是如此真实,以至于它变得太大声以至于无法忽视……琳达正在失去控制。如果她不能学会相信她的夜之眼,她的过去可能会赶上并摧毁她的思想、身体和精神。
1.7分
施虐狂史蒂芬·丹内尔拥有一座流放岛,当他没有羞辱和虐待他的妻子时,他正在折磨他的囚犯并将他们用作奴隶劳动。政府特工马克谢尔顿被派去潜入该岛并将丹尼尔绳之以法。
8.9分
Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
2.6分