威廉姆·伯格

戒备森严的监狱中的七名美女为一场大逃杀奠定了基础。

当三位叛逆的女神偷走七颗具有超凡力量的神奇雷电时，拯救宇宙免于永恒混乱和黑暗的力量落到了一位拥有一百级力量的人身上：赫拉克勒斯。奥林匹斯山上的恶棍排成一列争夺大力神的头颅，我们的主人公必须用他强大的力量击败所有敌人，恢复闪电，并在宇宙中与他的宿敌进行最后一场决战，米诺斯国王。

来自意大利的恐怖作品，剧情叙述一位菜鸟教授艾伦了逃避童年时期的梦魇，被学院委派至匈牙利的首都布达佩斯追查一位考古教授的行踪，当他来到古城却被突兀其来的谋杀事件给笼罩，这里的人似乎都有着不可告人的秘密，神秘的邪教[编织者]到底是什么?

戴维·弗兰尼根（史蒂芬饰）因为遭到双重交叉并头部中弹而失去了对战争期间发生的一切的记忆。当他回到家乡迪克西时，他因战争罪被通缉。凯洛格法官（伯杰饰）假扮他的朋友，试图帮助他揭开阴谋，但凯洛格是个骗子，戴维前往强盗哈克特的藏身处。哈克特，凯洛格告诉他，带走了他的妻子丽莎（加利），并且是整件事的幕后黑手。戴维的路上满是尸体，他发现了真相。

在内战之后的日子里，被击败的同盟国朱利亚诺·杰玛和一位年轻的旅伴遭遇了各种杀手、卑鄙的生活和冷酷无情的...

一名前枪手出身的牧师向三名伪装成守法公民的土匪寻求报复。

15岁的少女玛丽·罗沙里亚（苏珊·海明威 Susan Hemingway 饰）因与未婚夫克里斯多巴尔在郊外嬉戏，而被目睹于此文森特神父（威廉姆·伯格 William Berger 饰）指责为淫荡与不贞。在文森特的恐吓下，玛丽的母亲（Patricia Da Silva 饰）被迫献出积蓄并将女儿送入瑟拉德阿里斯修道院。这座修道院表面看起来严禁虔诚，玛丽进入这里不仅要检查其贞操，还要讲述自己的罪行，并持续三天苦行与祷告。然而所谓的虔诚似乎只是幻象，背地里修女们拜祭魔鬼撒旦（赫伯特·福克斯 Herbert Fux 饰），举行邪恶而狂放的仪式。 玛丽企图逃跑，却被告密而面临严厉的审判。肉体与精神遭受痛苦的折磨，玛丽只得写信给至高的上帝……

一名福音派赏金猎人与另一名赏金猎人联手，将一个非法团伙绳之以法，该团伙一直在偷运非法移民越过边境贩卖奴隶。

The subject of Danièle Huillet and Jean-Marie Straub’s Der Tod des Empedokles (The Death of Empedocles, 1987) is the Greek pre-Socratic philosopher Empedocles (c. 490 BC – 430 BC), who lived in the Greek colony of Agrigentum in Sicily. His theories are mentioned in several of Plato’s dialogues. He maintained that all matter is made up of four irreducible elements water, earth, air and fire. A mystic and a poet, he is considered to be the founder of classical rhetoric. He is also thought to be the last Greek philosopher to write in verse; two fragments of his works survive Katharmoi (Purifications) and Peri Phuseôs (On Nature). An advocate of democracy, he came into conflict with his fellow citizens of Agrigentum and, as result, was banished with his young disciple, Pausanius. When he was asked to return, he preferred to commit suicide by throwing himself into the active volcano at Mount Aetna.　　The German writer Friedrich Hölderlin wrote two versions of Der Tod des Empedokles in 1798 and 1800, and a final third version in 1820, all three ultimately unfinished. They were conceived as five-act tragedies and all three differ in plot. According to Michael Hamburger, Hölderlin’s English-language translator,　　the main reason why Hölderlin finished no version of the play must be that he remained too closely identified with Empedocles, at the very period in his life when his own view of the poet as philosopher, prophet and priest – and as tragic hero – was subject to perpetual crisis and re-examination.　　Huillet-Straub’s The Death of Empedocles is based on Hölderlin’s first version (the longest of the three), whereas Black Sin is based on the third version.