Gastón

Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!).　　The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats they get to see the film and can also enjoy the unfinished comic in an exhibition.

导演马可·伯格的第八部电影长片《Los Agitadores》现已杀青。　　“这部电影处理了一种在西方非常常见的现象，它是一种恐同和男性情色的混合。比如说那些足球运动员之间，他们常常赤裸相见，互相打闹并发生肢体接触，这是一个很愉快并暧昧的场景，但同时他们也处在一个很恐同的环境。我的新片讲的就是在这种同性色情和恐同情绪交织的特殊环境下所产生的暴力。这部电影叫Horse Play，将在2022年上映。”(北同文化采访)

一个小偷闯入一所房子，打断了平安的平安夜。他没有指望的是这个家庭的小女儿，她把他误认为是圣诞老人，并要求他完成他的圣诞愿望清单。

影片根据一个真实的故事改编——普奇奥家族。这个富裕的布宜诺斯艾利斯家族索取赎金，杀人赚钱。根据阿根廷犯罪史上一次可怕的事件，电影剖析了罪恶的道德模糊性和平凡性。

圣地亚哥（智利）。耶稣（18 岁）正在寻找他的身份。他和一个韩国流行乐队一起跳舞，喜欢和朋友们在公园里闲逛。他既不上学也不工作。自从他的母亲去世后，他与父亲赫克托 (Hector) (53 岁) 住在一间公寓里，电视掩盖了他们无法沟通的问题。一天晚上，赫苏斯向他的父亲敞开心扉，承认他卷入了一件无法挽回的事件。这种共享的知识迫使他们第一次联合起来。