主演的影片
Alessia
Antonello
Cerchiaro
Coraini
Demo
Edoardo
Eleonora
Elisabetta
Francesconi
Franco
Gaggero
Gaja
Gjura
Ilaria
John
Jozef
Luca
Ludovica
Masciale
Matteo
Maurizio
Michele
Olivetti
Rosati
Rossi
Sintucci
Viola
弗兰科·拉韦拉
朱塞佩·马吉奥
Martamaybeanorphan,andshemaybeaffectedbyalethalillness,yetsheisthemostpositivepersononecanmeet.Shewantsaboytofallforher.Notanyboy-themosthandsomeofthemall.Oneday,shemayhavefoundhermatch.
正片
4.8分
Alessia
Antonello
Cerchiaro
Coraini
Demo
Edoardo
Eleonora
Elisabetta
Francesconi
Franco
Gaggero
Gaja
Gjura
Ilaria
John
Jozef
Luca
Ludovica
Masciale
Matteo
Maurizio
Michele
Olivetti
Rosati
Rossi
Sintucci
Viola
弗兰科·拉韦拉
朱塞佩·马吉奥
Martamaybeanorphan,andshemaybeaffectedbyalethalillness,yetsheisthemostpositivepersononecanmeet.Shewantsaboytofallforher.Notanyboy-themosthandsomeofthemall.Oneday,shemayhavefoundhermatch.
0.9分
A bit of color for once, all the better to see the red flags with, not to mention the obvious aerial file footage of Warsaw. The story concerns Jozef Malesa, the mason or bricklayer of the title. He was once the darling of the party, the son of two old party activists, a worker of heroic reputation, his own commitment to The Movement unquestioned. He was chosen to be destined for great things, specially educated and pushed forward to positions of responsibility in the Party. Eventually he decides, because of the ethical pressures which he feels from the obstructionism of the bureaucracy from above, he asks to return to be a simple bricklayer. He is disturbed with the way the Party deals with people, especially their lack of direct contact. He thinks workers know better than the leadership many times but that's not the way power flows. He is uncomfortable with the compromises to his idealism. He remains committed to social justice and joins his friends for the May Day rally where his comfort and confidence in his place in society cause him to defer to no man, certainly no rat faced men in overcoats with red armbands. His great pleasure in life moreover is laying brick. He finds the work satisfying and fulfilling which is why he was such an obviously superior worker in the first place.
HD中字
Andrej
Buckova
Chrobak
Cierny
Ivan
Jan
Jela
Jozef
Ján
Mach
Macho
Milan
Mildner
Mojzis
Pavel
Pelech
卢多维特·赖特尔
古斯塔夫·瓦拉赫
威廉·波洛尼
拉多万·卢卡夫斯基
斯特凡·克维季克
米库拉斯·洛迪津斯凯
艾米丽娅·瓦萨约娃
与Stefan Uher和Elo Havatta一样,Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》(1964)《尼绒月亮》(1965)和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。 A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called intellectual film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak Muz, ktory luze; French title L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).
7.7分
Anton
Belan
Beran
Bílá
Gina
Havelková
Hejna
Jozef
Ján
Kis
Króner
Libuse
Ludovít
Mandzár
Milan
Míla
Nada
Stefan
Trón
Vera
伊娃·比托瓦
哈娜·斯利夫科娃
尤拉伊·恩沃塔
玛丽·莫特洛娃
瓦茨拉夫·巴布卡
约瑟夫·赫利诺马兹
马里安·洛布道
An amiable picture about entering adulthood, great dreams, and the first - forbidden - love of a white postman, Jakub, and a pretty Gypsy girl, Jolanka. This is a poetic story, a mosaic of the playful world springing from the wild imagination of the village postman and its clash with the pragmatic mundane reality that finally beats the rosy dream's of the young protagonists. Director Dusan Hanak and screenwriter Dusan Dusek's most popular film has been cherished by critics as well as wide audiences at home arid abroad.
HD中字