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2023-08-30
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设定在不久的将来,乔治娅和男友山姆的国家陷入了一场意料之外的人工智能战争,他们开始了极端凶险的逃亡之旅。距离他们第一个孩子出生还有几天的时间,他们必须穿过无人之境——一个机器人起义的据点,希望在生产前到达安全地带。
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号称是美国七十年代最非著名的一部科幻电影杰作,导演索尔·巴斯是设计师,还曾两次获过奥斯卡奖,但不知为何这部经典的心理科幻片至今都没出DVD。Desertantssuddenlyformacollectiveintelligenceandbegintowagewaronthedesertinhabitants.Itisuptotwoscientistsandastraygirltheyrescuefromtheantstodestroythem.Buttheantshaveotherideas.PhaseIVisanincrediblefulllengthfeaturefilmbySaulBasswhoismostacclaimedasagraphicdesignerwho’sworkcanbeseenastheopeningcreditsfromTheSevenYearItch,Vertigo,WestSideStorytoAlien,BroadcastNewsandCasino.PhaseIVisamuchoverlookedfilmthatisverymuchinthestyleofTheAndromedaStrain.Whatitperhapslacksinstory,itgainsinthephotographyofthemillionsofants.索尔·巴斯,美国动画片绘制家、美工师、导演,1920年5月8日生于纽约市,少年时曾经在布鲁克林学院学习绘画,毕业后从事过十年自由职业设计师的职业,1946年在洛杉矶创立索尔·巴斯合作公司。他在为一些影片进行美术设计时,猜出心裁地为片头片尾的演职人员表配上生动活泼的动画人物,这些动画人物的形态动作巧妙地提示了影片的主题,反映了影片的基调,从而使单调乏味的演职人员表和谐地成为了影片不可或缺的一部分,这种大胆的创新丰富了电影的表现形式,广受观众们的喜爱,其后为不少国家的影片所沿用。索尔·巴斯设计片头片尾的影片以《卡门·琼斯》(1955)、《红衣主教》(1963)等片最为著名。此外,他还监制和导演了很多电视广告片、动画片片和纪录片,如《敏锐的眼光》(1963)、《第四相》(1974)等。
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4.9分
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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3.6分
《索尔》是一部科幻电影,背景设定在遥远的未来,在一个充满敌意的外星球上。它跟随一群雄心勃勃的年轻人开始参加著名的 Sol Invictus 比赛,以寻求赢得名声和荣耀。游戏规则简单但可怕:地球上每个最优秀的学院都派出他们最优秀和最聪明的学院前往偏远的星球,与其他学院赛跑。第一个在天空中所有的恒星中确定哪一个是地球遥远的太阳 - 太阳 - 的团队是获胜者。但是在赢得比赛之前没有人回家......光荣的人生等待着少数获胜的幸运儿,许多人一路上死在了同龄人手中,没有任何问题。但是,随着球队被困在错误的星球上,大多数队友以及他们所有的装备都失踪了,胜利的愿景崩溃了。一开始是一场荣耀游戏,很快就变成了一场生存竞赛,因为以前的敌人必须团结起来,希望生存足够长的时间才能获胜。
8.6分
3.4分
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4.6分
近未来,为了治疗现代人类越来越多、越来越严重的精神疾病,位于东京的精神医疗综合研究所开发出一种可以反映他人梦境的机器。通过微型DC的帮助,梦境在显示器上呈现出来,更方便找到一个人焦虑的症结。某日,三台微型DC失窃,与之相关的研究人员的梦境接连被人侵入,随后受到严重伤害。美女医疗师千叶敦子另一个身份是梦境侦探“红辣椒”,她能够与患者同步体验梦境。为避免盗贼利用微型DC进一步作恶,她不得不潜入受害者的梦中寻找恐怖分子,一场充满奇幻和惊险的争斗旋即展开……本片入围2006年威尼斯电影节主竞赛单元,荣获2007年葡萄牙奇幻电影节影评人选择奖、2006年蒙特利尔电影节大众选择奖。
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